Tag: music

  • my mom’s angry playlist has two songs and no skips

    my mom’s angry playlist has two songs and no skips

    The Bitch Is Back. You Oughta Know. apparently i inherited a very specific approach to emotional regulation. Read more →

    i started making a playlist of songs my mom used to listen to when she got pissed off, and so far it has two entries: “The Bitch Is Back” and “You Oughta Know.”

    a short playlist. a clear position.

    making a playlist of songs my mom used to listen to when she would get pissed off about something and so far it's just- The Bitch is Back- You Oughta Know

    — schweg, (@schwegler.lol) 2026-09-16T14:13:20.451Z

    somebody replied that “You Oughta Know” had been their big breakup song and that i was making them feel old. my mom was born in 1961. she was simply a big fan of angry power walking to Jagged Little Pill. the album had applications beyond its original target demographic.

    Jagged Little Pill album cover, with layered photographs of Alanis Morissette against a green background.

    i love that this is a detail i get to keep about her. not a grand statement about what she taught me, or a polished anecdote with a meaningful ending. just my mom being pissed off and putting on Alanis. extremely recognizable. no additional explanation necessary.

    sometimes the song should also be mad

    “You Oughta Know” does not arrive with a calming suggestion. it gets directly into being furious and stays there long enough to make a point. i can understand why someone would want that in her ears while walking with purpose.

    there’s a kind of relief in a song that doesn’t ask you to be the reasonable person yet. maybe you will be reasonable later. perhaps there is a perfectly good explanation. for the next few minutes, however, Alanis is available to argue.

    and then there’s Elton.

    Caribou album cover: Elton John in a tiger-striped shirt and dark trousers against a blue mountain backdrop.

    “The Bitch Is Back” has a different kind of swagger. even the title announces that we have moved past the discussion portion of the afternoon. i appreciate the confidence of a song that introduces itself like somebody has been waiting nervously for its return.

    those two songs together tell me more about the playlist i want than padding it out to a respectable length would. i’m remembering what she actually listened to. i don’t need to manufacture a definitive thirty-track portrait of her because an app has space for more tracks.

    she gets to be funny in the memory, too

    i’ve written about using playlists to say things. this one is a little different. i’m not trying to send a carefully coded message. i’m trying to hang on to a detail that makes me hear her as a person.

    when you miss someone, there’s a temptation to make every memory gentle enough to put on a sympathy card. but i don’t only miss an abstract, saintly version of my mother. i miss a specific woman who could be annoyed, funny, and ready to put on a song about it.

    the angry power walking belongs in the record. so does the fact that remembering it makes me laugh.

    i might remember another song later. for now, two is enough. you could put this playlist on repeat and have a very efficient disagreement with the entire neighborhood.

    Featured image: livepict.com / source. CC BY-SA 3.0.

  • a playlist is an email you can make someone not answer

    a playlist is an email you can make someone not answer

    the power of a playlist is that it can say too much, and nobody has to type back “thank you, that is… Read more →

    a playlist is a deeply efficient way to make your feelings somebody else’s administrative burden. you can sequence three songs perfectly, give it a title that is normal enough to deny in court, and then hand it over like you are not trying to communicate anything at all.

    Jamie Lee Curtis in a music-video thumbnail
    Image: YouTube

    the best playlists are not encyclopedic. they are specific enough to make a case. this is the walk home in bad weather. this is the drive when you need to become somebody with better posture. this is the song you played seventeen times because apparently the day needed a witness.

    there is mercy in the format, too. a playlist does not demand an immediate response. it can sit there, quietly insisting that the third track matters. perhaps they listen. perhaps it becomes part of their own weird little afternoon. both outcomes are survivable.

    The Muppets in a television-performance thumbnail
    Image: YouTube

    anyway, if i have ever sent you a playlist, please understand that i was behaving with extraordinary restraint.

  • suburban trees are doing a surprising amount of emotional labor

    jump, little children made a whole little movie about the quiet, devastating work of trying to be fine in a place with… Read more →

    jump, little children made a whole little movie about the quiet, devastating work of trying to be fine in a place with too many cul-de-sacs.

    Source: YouTube

  • no one has ever been more prepared to haunt you than kate bush

    kate bush arrived at the windowsill fully formed, wearing a red dress and a practical amount of wind; everyone else has been… Read more →

    kate bush arrived at the windowsill fully formed, wearing a red dress and a practical amount of wind; everyone else has been trying to catch up since.

    Source: YouTube

  • happy beyoncé day; attendance requires the extended mix

    happy beyoncé day; attendance requires the extended mix

    Beyoncé turned 45, B’Day turned 20, and the only responsible observance is the six-minute version of “Get Me Bodied.” A holiday with… Read more →

    today is Beyoncé’s birthday, which means it is also the annual day when i remember that “Get Me Bodied” contains its own calendar reminder.

    happy Beyoncé day; hope you listened to Get Me Bodied (Extended Mix) to celebrate

    — schweg, (@schwegler.lol) 2026-09-04T23:15:23.788Z

    there are celebrity birthdays, and then there are holidays with choreography. September 4 belongs in the second category. you do not need decorations. you do not need a themed cocktail. you need the extended mix, enough floor space to make one or two irresponsible choices, and the willingness to follow instructions delivered at club volume.

    this year the observance is unusually tidy: Beyoncé turned 45 on September 4, 2026, while B’Day turned 20. the album was released on her 25th birthday, because even in 2006 Beyoncé understood that the cleanest way to receive a present is to give everybody else homework.

    Beyoncé performing beneath bright stage lights during the Formation World Tour in 2016
    Beyoncé on the Formation World Tour, May 16, 2016. Photo by Kevin Edwards, CC BY 2.0, via Wikimedia Commons.

    the extended mix is not optional

    the regular album version of “Get Me Bodied” is very good. this is not its day.

    the extended mix is the version that turns the song from a single into a municipal event. it keeps finding more song after a normal song would have politely gone home. Beyoncé calls out moves, the room becomes a line dance with better posture, and Kelly Rowland, Michelle Williams, and Solange appear in the video like the world’s most overqualified birthday committee.

    six minutes is exactly the correct length because the point is not efficiency. the point is escalation. “Get Me Bodied” begins as a request and ends as a small government with mandatory physical education.

    Beyoncé’s official “Get Me Bodied (Extended Mix)” video, featuring Kelly Rowland, Michelle Williams, and Solange.

    it is also a nearly perfect summary of B’Day: urgent, percussive, slightly bossy, and entirely uninterested in behaving like background music. the album sounds as though every instrument has been told there are only ten minutes left before the venue charges overtime. even the slower moments feel like somebody is about to kick open a door.

    twenty years later, the album is still yelling correctly

    the 20th anniversary arrived with a new 31-track deluxe edition, including previously unreleased material and several versions of “Get Me Bodied.” People reported the release on September 4, along with Tina Knowles’s birthday tribute to her daughter. it is a very Beyoncé solution to an anniversary: do not merely remaster the old thing; make the old thing expand until it requires its own filing system.

    Beyoncé singing into a microphone during her I Am Tour performance in Vancouver
    Beyoncé performing in Vancouver during the I Am Tour. Photo by Jenn Lowther, CC BY 2.0, via Wikimedia Commons; cropped and brightness adjusted by J.ébey.

    anniversary editions can feel like archival housekeeping: here are the demos, here is the booklet, please purchase the object again in a slightly more rectangular box. B’Day does not really lend itself to tasteful archival distance. the album is still too sweaty. “Déjà Vu” still arrives already in motion. “Ring the Alarm” still sounds like the alarm has developed a personal grievance. “Upgrade U” remains a performance review delivered over horns.

    and “Get Me Bodied” still works because it never pretends dancing is spontaneous. it gives you the instructions. pat your weave. tick. fight the feeling. tick. do the Naomi Campbell walk. the song knows that sometimes freedom requires a checklist.

    so, happy Beyoncé day. if you listened to the short version, the holiday board has reviewed your paperwork and found it incomplete. please report to the extended mix, where attendance will be taken by name, birthday, and ability to drop down low and sweep the floor with it.


    sources and media: People’s September 4, 2026 report on Beyoncé’s 45th birthday and the B’Day 20th-anniversary deluxe edition; Beyoncé’s official video via YouTube; Creative Commons image credits and licenses appear with each photo.

  • 10

    wait, meth?

    i will never not be taken aback from the meth part in ‘semi-charmed life’ Read more →

    i will never not be taken aback from the meth part in ‘semi-charmed life’

  • 1

    don’t let the end of pride stop you

    Music video for Gay Thoughts directed by Jack Coleman. Shot on super 8 film. Read more →

    Music video for Gay Thoughts directed by Jack Coleman.

    Shot on super 8 film.

  • 2
    Phases: Intro

    Phases: Intro

    Every song is a breadcrumb on the tangled path back to who I’ve been. In this series, I let shuffle decide which… Read more →

    Every song is a breadcrumb on the tangled path back to who I’ve been. In this series, I let shuffle decide which memories resurface, giving each musical phase its turn in the spotlight—and seeing what stories wake up with the sound.

    I lack the ability to actively recall memories, for the most part. I have no clue why, and I’ve never really had the kind of consistent insurance coverage that would’ve let me explore that area—or any of the similar weirdness, like how I just drop into a black void when I fall asleep and wake up with zero recollection of dreams, if there were any at all.

    Context drags memories out of me whether I want it to or not, though. And nothing has a more powerful ability to do this than music.

    (more…)
  • #NowPlaying

    is a banger throwback Read more →

    is a banger throwback