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birthdays

Dispatches, commentary, and media logs from the open web.

  • five years is not a deadline for missing someone

    five years is not a deadline for missing someone

    my mother would have turned 65 this week. grief has reviewed the calendar and declined to recognize the five-year performance target. Read more

    wednesday would have been my mom’s 65th birthday.

    the sentence is simple enough. the feeling has apparently declined to remain within the assigned scope.

    i have spent the last few days moving between missing her and being angry at myself for still being this affected after half a decade of “healing.” five years sounds like enough time to have completed something. there should be a certificate. perhaps a small badge i can attach to my shirt that says processed one major loss, please proceed normally.

    wednesday would have been my mom's 65th birthday and i am cycling between feeling sad and also being mad at myself for feeling sad after half a decade of 'healing'

    — schweg, (@schwegler.lol) 2026-09-21T20:10:03.129Z

    i posted that thought on Bluesky, and people replied with the thing i can believe when it applies to anybody except me: grief does not have a deadline. one person said five years is nothing. another told me to be kind to myself.

    reasonable advice. deeply inconvenient.

    A scattered collection of old black-and-white portrait photographs.
    Mr Cup / Fabien Barral / Unsplash

    healing is not an uninstall button

    i think part of the problem is the way we talk about healing as if it were a project with an end state. you do the work. you learn the lessons. eventually the loss becomes a tasteful line item in your personal history, and the emotional department stops opening tickets about it.

    that has not been my experience.

    i am not as wrecked as i was five years ago. that matters. i can remember my mother without every memory immediately collapsing into the fact that she died. i can write about her angry power-walking playlist and let the memory be funny. i can hear “You Oughta Know” and picture a specific woman being specifically pissed off, rather than treating her entire life as a preface to losing her.

    that is healing, i think. not becoming somebody who no longer hurts, but becoming somebody who has more room around the hurt.

    the trouble is that birthdays are very good at finding the room.

    the calendar keeps making plans for people who are gone

    a birthday is not an abstract reminder. it arrives with a number attached. sixty-five. a whole age she did not get to be. the calendar presents it like an appointment i forgot to cancel, then acts surprised when i have feelings about the empty slot.

    there are other dates, obviously. the day she died. holidays. the ordinary anniversaries that do not announce themselves until i notice what month it is. but a birthday carries a different kind of alternate timeline. i can imagine the cards, the cake, the jokes about senior discounts, and whatever opinion she would have developed about being sixty-five.

    none of that means the previous five years did not count. it means wednesday counts, too.

    Two empty wooden chairs beside a wall, crossed by warm sunlight and shadow.
    Greg Rosenke / Unsplash

    i do not need to grade this

    being mad at myself for being sad is an attempt to turn grief into a performance review. surely, after this much time, i should be more efficient. surely the same date should not be able to surprise me again. surely i have received sufficient training.

    but grief is not evidence that i failed to heal correctly. it is evidence that the relationship still has consequences. my mother mattered while she was here, and her absence remains capable of mattering now. five years did not revoke that.

    i wrote before that grief is not a loyalty program. apparently it is also not continuing education. i do not earn a cleaner response by logging enough hours.

    so, on wednesday, i am going to try not to evaluate the sadness while i am having it. i can miss her. i can be irritated that i have to miss her. i can laugh about the playlist and feel terrible about the age she never reached, possibly within the same five minutes.

    the feeling does not need to demonstrate progress before it is allowed in.

    she would have been sixty-five. i wish she had gotten to complain about it.

    Featured image: Dasha Kroti / Unsplash. Body images are credited in their captions. All three photographs are used under the Unsplash License.

  • happy beyoncé day; attendance requires the extended mix

    happy beyoncé day; attendance requires the extended mix

    Beyoncé turned 45, B’Day turned 20, and the only responsible observance is the six-minute version of “Get Me Bodied.” A holiday with… Read more

    today is Beyoncé’s birthday, which means it is also the annual day when i remember that “Get Me Bodied” contains its own calendar reminder.

    happy Beyoncé day; hope you listened to Get Me Bodied (Extended Mix) to celebrate

    — schweg, (@schwegler.lol) 2026-09-04T23:15:23.788Z

    there are celebrity birthdays, and then there are holidays with choreography. September 4 belongs in the second category. you do not need decorations. you do not need a themed cocktail. you need the extended mix, enough floor space to make one or two irresponsible choices, and the willingness to follow instructions delivered at club volume.

    this year the observance is unusually tidy: Beyoncé turned 45 on September 4, 2026, while B’Day turned 20. the album was released on her 25th birthday, because even in 2006 Beyoncé understood that the cleanest way to receive a present is to give everybody else homework.

    Beyoncé performing beneath bright stage lights during the Formation World Tour in 2016
    Beyoncé on the Formation World Tour, May 16, 2016. Photo by Kevin Edwards, CC BY 2.0, via Wikimedia Commons.

    the extended mix is not optional

    the regular album version of “Get Me Bodied” is very good. this is not its day.

    the extended mix is the version that turns the song from a single into a municipal event. it keeps finding more song after a normal song would have politely gone home. Beyoncé calls out moves, the room becomes a line dance with better posture, and Kelly Rowland, Michelle Williams, and Solange appear in the video like the world’s most overqualified birthday committee.

    six minutes is exactly the correct length because the point is not efficiency. the point is escalation. “Get Me Bodied” begins as a request and ends as a small government with mandatory physical education.

    Beyoncé’s official “Get Me Bodied (Extended Mix)” video, featuring Kelly Rowland, Michelle Williams, and Solange.

    it is also a nearly perfect summary of B’Day: urgent, percussive, slightly bossy, and entirely uninterested in behaving like background music. the album sounds as though every instrument has been told there are only ten minutes left before the venue charges overtime. even the slower moments feel like somebody is about to kick open a door.

    twenty years later, the album is still yelling correctly

    the 20th anniversary arrived with a new 31-track deluxe edition, including previously unreleased material and several versions of “Get Me Bodied.” People reported the release on September 4, along with Tina Knowles’s birthday tribute to her daughter. it is a very Beyoncé solution to an anniversary: do not merely remaster the old thing; make the old thing expand until it requires its own filing system.

    Beyoncé singing into a microphone during her I Am Tour performance in Vancouver
    Beyoncé performing in Vancouver during the I Am Tour. Photo by Jenn Lowther, CC BY 2.0, via Wikimedia Commons; cropped and brightness adjusted by J.ébey.

    anniversary editions can feel like archival housekeeping: here are the demos, here is the booklet, please purchase the object again in a slightly more rectangular box. B’Day does not really lend itself to tasteful archival distance. the album is still too sweaty. “Déjà Vu” still arrives already in motion. “Ring the Alarm” still sounds like the alarm has developed a personal grievance. “Upgrade U” remains a performance review delivered over horns.

    and “Get Me Bodied” still works because it never pretends dancing is spontaneous. it gives you the instructions. pat your weave. tick. fight the feeling. tick. do the Naomi Campbell walk. the song knows that sometimes freedom requires a checklist.

    so, happy Beyoncé day. if you listened to the short version, the holiday board has reviewed your paperwork and found it incomplete. please report to the extended mix, where attendance will be taken by name, birthday, and ability to drop down low and sweep the floor with it.


    sources and media: People’s September 4, 2026 report on Beyoncé’s 45th birthday and the B’Day 20th-anniversary deluxe edition; Beyoncé’s official video via YouTube; Creative Commons image credits and licenses appear with each photo.